Archive for the '80s' Category

A Day at the Office, Part Two (the Go! Team).

So, the coffee is starting to wear off. The drowsiness I’ve been valiantly fending off starts taking cheap shots. The ambiance of the Green EP starts to wear thin. I need to wake up, & with godspeed, dammit.

Proof of Youth.

Luckily, for my mood, my work & my inner critic, I brought the new Go! Team LP, Proof of Youth, with me for just this circumstance. It is, in all seriousness, auditory caffeine.

The album jump-starts with the track that got us ridiculously excited back in June, “Grip Like a Vice”, with its awesome 80’s raps layered over badass bass, cheesy synths, sirens, hand claps & - I’m sure - skipping ropes. It is an explosion of summer fun.

And so, we waited with baited breath… Could the full-length carry this vibe over an extended period of time? Would it even be possible to maintain such momentum - especially when one considers the fact that Proof of Youth opens with “Grip Like a Vice”?

Proof of Youth.

I am happy to report that, yes. The entire album is winning-free-candy style awesome. Hell, just look at these guest spots: we got friggin’ CHUCK D on “Flashlight Fight”, the Rapper’s Delight Club, Bonde do Role’s Marina Ribatski and, no joke, the Double Dutch Divas. Even the track listing epitomizes the party in party album.

The album jumps between fuzzed out, over-excited hip-hop dance parties to more down-tempo, Charlie Brown style meanderings… which, while the later may sound a bit boring in comparison, serve as perfect interludes, bringing together the album like a simple bread during a wine sampling.

Proof of Youth.

It saddens me that I cannot share with you anything more than my excitement about this album, as the band’s label has requested that we not post any mp3s from the record. That being said, you can find some samples over at the band’s myspace page.

The album hits store in September via Sub Pop. You can get updates from the band’s official site ‘cuz this party ain’t restricted to no block.

8-Bit Permutations, Circa 1983

[crystal castles]

8-bit sounds have permeated the lives of practically everyone who lived through the late-80s/early-90s, and like a recipe for healthy living, they need to be consumed now and again by anyone whose life was touched by their tantalizing raw pitches.

I can remember my first experience with an Atari 5200, it was monumental. The family tele would go without serving its mediatastic purpose for days on end as my sisters and I would gawk at the 256-bit color pallettes, in awe of the way we could magically manipulate and move about on the screen. To be fair, though, videogames at the time were always musically lacking, and the blip-bloops that accompanied animations were usually meant to repercuss the fact that you had hit something, shot something, or… jumped? Sounds meant using disk memory, and bytes were terribly scarce back then. Because of this, games would rarely be scored with soundtracks, and when they were, it was still within the limitations of the hardware; it wasn’t until much later that the soundtracks would evoke the same emotive qualities as a full-bodied song.

Nowadays, artists who are proud to list videogames as their prime source of inspiration are often overlooked on that very premise, but who says it’s not a worthy source? There’s a whole world of people directly reproducing game-music, and while I respect them from afar, I fail to see the point of it - the whole vg-midi craze is beyond me, but then, music grounded in 8-bit doesn’t have to be a direct, analog rehash, and Crystal Castles is out to get my back on this one.

Played on a keyboard modded with an authentic Atari 5200 chip, the tunes carry some pleasing IDM crescendos you wouldn’t think could come from such archaic keys. CC is self-described as THRASH THRASH THRASH, which is only apparent from two of the tracks on this 7″ teaser. The two tracks in question are wrought with female throaty vocals on cue with some frantic keyboard work, and it meshes in a way that’s reminiscent of another Atari-gang you may have heard of… who? Why Atari Teenage Riot, of course.

I’m less impressed with those tracks, but everything else screams of my childhood. It’s a certain nostalgia for wonder, adventure, and bemusement that I’d be at a loss to explain to anyone who doesn’t immediately “get it”; I can’t recommend enough that you try it on for yourself, though, and find out.

mp3:
Crystal Castles - 1983
Crystal Castles - Crimewave

(see also):
Gimmie Tinnitus : has another track, and a Crimewave remix.
Quarterlifeparty : a valid attempt at decipering some lyrics.

Unfortunately the EP mentioned was on a limited run of 500. You can support the Castles with their Crimewave single, over here.