Archive for the 'breakbeat' Category

Building with Blockhead.

Blockhead might not yet be very commonly known but, in the realms of hip-hop production, he is ace in my books. With a few solo LPs in the bag, Blockhead is also infamous for producing some of Aesop Rock’s best tracks, working alongside people like Cage, Slug & Murs as well as contributing to the hip-hop comedy troupe, the Party Fun Action Committee. Add to this list the forthcoming (and awesomely named) Uncle Tony’s Coloring Book LP, and it definitely becomes hard to say that the dude keeps to himself.

Uncle Tony’s Coloring Book is next level shit. Not only does it have some of Blockhead’s most interesting beats but they are mashed up with all sorts of funky samples (the mandolin on “Grape Nuts and Chalk Sauce”, for instance, or the reverberating guitar on “Duke of Hazard”) that transform “another beats record” into “holy old school batman, another BEATS RECORD!”

Uncle Tony’s Coloring Book.

And, as you dig further… it just keeps getting better. “Squirmy Worm” switches between a rubbery didgeridoo beat, soft chanting, reversed electronic noises and smooth saxophone… all by the half-way point. The juxtaposition is not only ridiculously innovative but downright awesome. Other tracks, such as the album opener “Coloring Book”, sample from old spanish guitar records, finally bridging the gap between Esquivel & hip-hop. It is impeccable.

Fast forward to track 6 & watch as Blockhead shifts gears, locking into a late 70’s/early 80’s electro-funk groove on “Put Down Your Dream Journal and Dance”. And, just as soon as you start wishing for it to never end, “The Hucklebuck Slice” comes out of nowhere, feeling like a lost 007 take, with horns, stand-up bass & xylophones. And so the album continues, dropping references so fast that you might just want to throw up your hands in exasperation. I’d liken the experience to Controller7, if the Controller was more able to be more focused & maintain that focus for 58 minutes worth of beats. Blockhead definitely gives you the most bang for yer buck.

But, for real - this is one of the best beats albums I have heard in ages. Maybe I’m just a sucker for Blockhead’s retro leanings but I come out of every track on the album feeling sucker punched. You’ll definitely want to cop this one come August.

block rockin’ beats always come first:
Blockhead - Coloring Book.
Blockhead - Squirmy Worm.

Uncle Tony’s Coloring Book will be released August 14th from the surreal & respectable Ninja Tune Records & can be preordered from undergroundhiphop.com. Til then, visit Blockhead’s official site (I spent way too much time playing with the drums on his header) & myspace.

Pepe Deluxé Invents Time Machine! Has Dance Party.

[pepe deluxé as dumpsite tourists]

In a time where cowboys dream of tonal archaeology, ex-sailplane pilots turn to record collections, and Fiji-inspired bacon garb is essential to one’s inner peace, Pepe Deluxé is here to bring you back. Way back to the sunshine-happy era of the 1960s, the funkdefied times of the 1970s, and the hip hop breaks & beats circa 1980.

Once asked about the name James explained: “Pepe Deluxé without an acute accent at the end, is like a gentleman without a hat – a contradiction in terms.”

James Spectrum is Finland’s one and only mad-hatter whose musical abominations parallel some sort of circus-freak lovechild Fatboy Slim might have had with Lemon Jelly. The group’s track record began as two DJs (himself and JA-JAZZ) with way too many records & and sampling rig.

The first release was an over-the-top big-beat/trip-hop all-you-can-eat sloppy aural-pasta called Super Sound, which was then followed up with Beatitude, a much more an extensive effort, and exactly the turning point at which the musical ingredients shifted from strict-turntablism to worldwide recruitment efforts of more than fourty musically inclined friends, all enlisted to the forefront of its production. This was precisely when the Deluxé entered the Pepe.

Moving the clock forward, flash forward even, and we’re now at 2007 with the group’s most elaborate, glossy effort. Its sound genre hops between decades past, decades of now, and decades that never even happened. This is Spare Time Machine.

The Mischief of Cloud Six is the most energetic piece from the batch, so layered with grooves and beats it made Norman Cook weep. It is something The Books might have produced with some sniff-sniffy drugs and a collection of vinyls from the local mullet-sporting record shop.

Moving on without missing a step, Miss Willhelmina And Her Hat is a culture clash of wah-wahs, vocal harmonies and guitar-shredding laced with hip-hop break-beats, and really is just to enumerate the man’s fascination with one gardening, hat-wearing mistress - don’t forget the wah-solo at 4:30, it’s absolutely essential to your ears.

The album slows down a bit from there, moving on with some pieces that are more readily digestable after the all-out vocal-soul freakout that is Go For Blue, but picks up again with Pussy Cat Rocks & Apple Thief.

If you can’t tell, I’m enamored with this album, and still, there’s more! Beatitude has actually been made available by the gang in its entirety, both freely and legally in mp3 format: here. Also, dig this video in all its bizarro-world glory:

And these mp3s:
Pepe Deluxé - Ms. Wilhelmina and Her Hat
Pepe Deluxé - Apple Thief

Okay, now go snag a copy of Spare Time Machine over at Amazon UK, it won’t disappoint.