Archive for the 'frenetic' Category

Love Is Simple & 3 Cathartic Akron/Family Tracks

[akron family have feet too]

You wouldn’t think it to look at their faces (or feet, for that matter) but this bearded quartet grew out of the New York City scene, which is to say, they grew out of it in sheer hermitistic isolation. The kind of isolation that drove one man insane actually divided itself within these four as a prugative, fractalistic musical religion.

Actually, there’s a pretty funny story that goes along with that last bit. See, after their touted isolationist episode in the hey-days of not-long-before-2005, they sent along everything they had recorded to Michael Gira, the singular force behind Angels of Light, producer & founder of the Young God label.

Gira loved the material, and after a long, paternal chat with the group decided that their whimsical choice to dub their creation “AK-AK” (pronounced ack-ack) was in fact a “quasi-religious sonic worldview”. Oh Gira, you silly nilly, they didn’t mean it like that. I mean, they don’t dress up like weirdo cultists in their free time or anything.

I’ve just spent the last three days in the embrace of their latest creation: Love Is Simple, and all joking aside, it’s not unlike the feeling one might experience sobering up to a southern Evangelist sermon with a boisterous chorus of large colourful folk all hyped-up on Our Lord, Jesus Christ. That’s not a bad thing, either.

The album frenetically moves about between songs of warm-hearted American folk “Love, Love, Love (Everyone)” and epic, swelling sonic collages like “Ed Is A Portal,” then to folk: “Don’t Be Afraid, You’re Already Dead,” and quickly back again.

Ironically, the catchiest song on the album begins painfully with a random plucking of strings, then a repeated schizoid verse, and then pops the question that inevitably goes through your mind: “Hey, have you noticed? Everyone is crazy.” which then cues the chorus, catchy like an Irish bar song that’s hard to resist singing back, though it’s not long before once again the song succumbs to distraction and its energy flows toward something else.

Love Is Simple derails at so many points that it’s almost hard to keep pace, but the calming moments in between its noisy, zany antics afford you a chance to catch up just before the next track slams you back in your seat. I’ve always found Akron’s albums to be like a catharsis in that way, as they touch on so many moods and literally blister with feeling (thanks to Ryan Vanderhoof’s heedy vocals and the overall tense instrumentals).

After thinking about that for a moment, I decided to go back through their discography and bring together three of the most cathartic tracks they’ve produced, for your own times of need, and in increasing order of magnitude. These tracks will always hold a special place for me, both in heart, and iPod. Enjoy.

now, purge? (make it loud):
Akron/Family - Running, Returning (from self-titled, 2005)
Akron/Family - Ed Is A Portal (from Love Is Simple, 2007)
Akron/Family - Moment (from Akron/Family & Angels of Light split, 2005)

If ye’ be wantin’ to buy from the Akron/Family catalog, simply meander over to Young God Records for all your needs. Love Is Simple should be landin’ there in 3 days short of a month (9/10).

P.S., dig that cover art:

[Love IS Simple]

Dan Deacon Mix 86!! (no not the year)

In accordance with our unanimous stance (ahem: infatuation) for Sirry Deacon, it was really only a matter of time before this happened. We’re not the only ones with an insatiable hunger for absurdist electro-pop, are we? I think not.

And since, you know, we’re all about feeding the poor starving indie children, so as to keep them off drugs, the streets, and away from the nasties, I thought it’d be well worth it to bring back the golden oldies of Dan.

We’re taking you back, way back before Spiderman of the Rings, and here I present you with a time warp, a paradox if you will, for what it is called it is not. Behold the bad photoshopping & yummy tunes!:

[deacon mix 86]

Dan Deacon Mix 86!! (no not the year):

1. My Name is Robert - [from Silly Hat vs. Eagle Hat]
2. Never Do That (Mars) - [from Meetle Mice]
3. Song for Dina - [from Meetle Mice]
4. I Have AIDS - [from Meetle Mice]
5. Moses vs. Predator - [from Acorn Master]
6. The Adventures of Mr. Bumbershine - [from Meetle Mice]
7. Ohio - [from Twacky Cats]
8. My Own Face is F Word - [from Meetle Mice]
9. Big Big Big Big Big - [from Acorn Master]
10. Junior High Band With Trucks & Dogs - [from Silly Hat vs. Eagle Hat]

Clocking in at 33:25 total, it makes a nice short & sweet electro-dose of a mix (recommended on headphones! or just really, really loud). Enjoy!

Also, if you like these songs then chances are you’d enjoy the EPs, but after my own click-clicking around the ‘nets, the only buy link I could find was for Acorn Master, (don’t bother trying at Dan’s own site, apparently his DIY store is borked), BUT Twacky Cats is being generously offered in its entirety (with high-res album art) for free over at Comfort Stand.

We, the World City Would Like to Thank You.

[no, thank you]

It’s a comforting thought, that in a world where every third artist name-drops Spector as their influence, limiting themselves to some sort of space-age echo-sonic thump sound, that an artist’s self-description can be so simply put as “angular” and “jittery”, and carry through on that promise like hungry wolves. We’ve been over this before, for entirely different reasons, but integrity still comes into the picture. That question still looms: how can technical virtuosity co-exist with that digital, sonic monster that is Echo? The answer is simple: unless you’re Battles, recognizing it as a happy accident is probably an impossible task. And really, who really needs to feed that beast when you’ve got your own poly-percussive wolf on the sticks?

Thank You’s World City carries its listener along a series of railed, experimental tracks, beginning with an oompa-oompa guitar that quickly progresses into a frenetic drum session whose player, like a loving mother, pays heed to every piece of the set; yes, cowbell included. That vibe continues throughout, with the guitars more or less feeding off the all-encompassing polyrhythms, as though it were a back-and-forth communique.

On the half-mark the strongest number Help God manages a layer of crescendos that I’d have a hard time separating from any number on the aforementioned Battles’ latest if it wasn’t for the ethnic drum breaks (and lack of heavy-modded vocal tracks). It’s that very parallel which stirs so much inside me. No doubt the world would literally topple over if somehow Thank You’s drummer met up with John Stanier in a show-down that would put this show to millenial shame. Can you imagine?

Glancing around on the web, there’s really very little info to be found on this trio. They belong to the same Wham City party scene as the beloved Dan Deacon; in keeping with his legendary performances, it’s no surprise then that their MySpace sound is charted as religiously Zouk-infused. I’d bet even their live shows, like Mr. Deacon’s, are a mess of free-wheeling, sweaty dancing Baltimore hipsters, but that’s love.

If you’re wanting to purchase the disc, or anything for that matter I’m afraid we can’t be of any help, it would appear there’s nowhere to get this thing than live & in person. Wildfire Wildfire is so brand-spankin’ new that they’re still working on the storefront aspect of being a label. If you’re around the area, seriously go to one of these shows, and get some video footage, will ya?

In the meantime dig it (mp3):
Thank You - Help God
Thank You - No Hole