Archive for the 'stones throw' Category

Oh No’s Education.

There is a longstanding debate in psychology about whether certain behaviours are due to nature, (genetic causes) or nurture (that is, life experiences we encounter that might mold our future actions). Now, class, case-study: the younger brother of an internationally renowned beat juggler puts out an instrumental hip-hop album, which, like his kin’s releases, sample from all sorts of obscure sources. Overall, I don’t know if we can say that the brothers Jackson - Otis Jr. & Michael, more commonly known as Madlib and Oh No, respectively - are genetically-coded to search out & spin beats, but damn… if they don’t make a compelling argument.

Long-winded introductions aside, Oh No’s latest release (for those keeping count, it is his third), Dr. No’s Oxperiment, is his most eclectic yet. Like the last Madlib release, which found the Konducta sampling inspiration from India, Oh No also travels abroad, describing the mix as “an audio tour of Turkish, Lebanese, Greek, and Italian psyche funk”. It must run in the family.

Dr. No.

And, in practice, it definitely works, sounding, at times, like a soundtrack to a James Bond film (which I am sure, judging based on the name of the album, is intentional) that happens to take place in the Middle East. It is some classy shit that reminds me, again, of the last Konducta release but heavier on the psychedelic rock sound. So, kind of like a hip-hop reinterpretation of Floyd’s More. It is a definite Tunes Consumed recommendation.

beats international:
Oh No - Higher.
Oh No - Bouncers.
Oh No - My Luck.

Dr. No’s Oxperiment drops July 31st via our favourite Stones Throw Records.

Things that go BUMPS in the Night.

Look at all that repetition.  They must be drummers.

If you are a beat digger, you can now formally refer to Tortoise’s John McEntire, John Herndon, and Dan Bitney as Santa Claus. Through the impeccable Stones Throw Records, the trio has come together under the moniker Bumps to put out the quite descriptively named, Beats, Breaks, Raw Drums. Which is a record of, you guessed it, beats, breaks & raw drums. Fancy that.

Even if you aren’t on the quest to hit that perfect beat, if you are into drums at all… the record is definitely worth a few spins. Just don’t expect anything but drums - cause it’s not there.

This is definitely a niche record but it is a niche that I love seeing McEntire et al fill. Plus, just thinking about all the uses these beats will be given in the future… it’s enough to make me giddy in anticipation.

sample this:
Bumps - Fun Injury.
Bumps - Crass Jenny.
Bumps - OK!

(Beats, Breaks, Raw Drums will be released on June 19th from Stones Throw Records.)

Yesterday Has Fallen; Yesterday Will Rise Again.

Yesterday’s Universe.

As it says on the Stones Throw site, free-jazz ensemble Yesterday’s New Quintet (a jazz beats band made up of Ahmad Miller, Monk Hughes, Malik Flavors & Joe McDuphre; all of whom, really, are Otis Jackson, Jr., also known as Madlib) have broken up.

I can imagine the fragments of Madlib’s tender psyche shattering apart, as he becomes unable to personify the unique band members, to separate out their aspirations, their goals, their muses… At least, until one reads a little further to find out that, while Yesterday’s New Quintet may have been disbanded, they have multiplied exponentially in their wake.

Almost unfathomably, what once stood unified as a single Quintet, have blossomed into an entire scene unto themselves, comprising a universe all of their own. And that is not even (really) a joke.

On July 17th, producer extreme Madlib will drop his next LP, Yesterday’s Universe. While the LP is still credited to Yesterday’s New Quintet, this new album is, in truth, actually a compilation. Featuring 15 tracks, the album presents 13 different bands (10 of which are making their premiere appearance on the release) - all of which are splinter cells who have wandered off from the original Quintet in search of their own particular grail of inspiration. The mind reels.

Whether we are discussing the Last Electro-Acoustic Space Jazz & Percussion Ensemble - in whom Sun Ra references are so blatant it almost hurts - or the funkiness of Sound Directions or the jazz history apparent in the Otis Jackson Jr. Trio referencing classics like ‘Bitches Brew’, one thing is apparent: Madlib is one crazy motherfucker. No matter the universe, this album is a feat & just goes to show how frigging divergent Otis can be when given the opportunity.

Dig in.

The Universe is revealed (and has nothing to do with 42):
01. Otis Jackson Jr Trio - Bitches Brew (M. Davis)
02. The Jahari Massamba Unit featuring Karriem Riggins Trio - Umoja (Unity)
03. Young Jazz Rebels - Slave Riot (D. Smith)
04. The Last Electro-Acoustic Space Jazz & Percussion Ensemble - One for the Monica Lingas Band
05. Kamala Walker and The Soul Tribe - Street Talkin’
06. The Jazzistics - Marcus, Martin & Malcolm
07. Suntouch - Two for Strata East
08. Sound Directions - She’s Gonna Stay
09. The Last Electro-Acoustic Space Jazz & Percussion Ensemble - Cold Nights And Rainy Days
10. Otis Jackson Jr Trio - Free Son
11. Jackson Conti - Barumba (L.Eca, Bebeto)
12. Ahmad Miller - Sunny C (California)
13. The Eddie Prince Fusion Band - Mtume’s Song
14. Yesterday’s Universe All Stars - Vibes from the Tribes Suite (For Phil)
15. Jackson Conti - Upa Neguinho

mp3:
Kamala Walker and The Soul Tribe - Street Talkin’.
Jackson Conti - Barumba.

[Yesterday’s Universe drops on July 17th from Stones Throw Records.]